Fictional Cross

Standard

I thought I’d kick this blog off with a twist on an old classic – the Celtic Cross. My twist, the Fictional Cross, is a useful spread that I use to generate plot ideas from scratch.

The layout

A diagram of the typical Celtic Cross layout.The layout is the same as that for the Celtic Cross. You can use the standard Celtic Cross meanings to suggest a story scenario, but in my Fictional Cross variant I have altered the meanings slightly to fit in with a narrative structure. Let’s step through what each card means in the Fictional Cross:

S – The Significator card. Pick a court card that represents the personality of your protagonist. If you don’t have an idea for your main character yet that’s fine; separate out the 16 court cards (that’s the Page, Knight, Queen and King of each suit) shuffle them and pick one randomly. That’s your main character. You can refer to any good tarot book to find out what kind of person they are.

Now shuffle the rest of the court cards back into the deck and lay out the rest of the spread.

1 – The Centre card. This card is your protagonist’s attitudes and feelings at the point your story opens: their internal situation.

2 – The Crossing card. This is the external situation that your protagonist is in at the very start of the story.

Together these two cards suggest the stasis, the normality, which is about to be changed or shattered by an inciting incident that sends you protagonist hurtling through the story.

3 – The Back Story card. This card shows the basis of the story. An event that happened before your story began that has set things in motion. Because of the event in this card, circumstances are unfolding that on a collision course with your main character. This collision happens in the next card.

4 – The Inciting Incident card. The event that gives your main character a kick up the backside and sends them out of their comfortable normality and into the story along a path suggested by card 6.

(The next two cards are explained out of order, because they make more sense to the spread this way around.)

6 – The Direction card. The path that the main character initially sets off along towards their goal.

5 – The First Act Outcome card. What the main character achieves at the end of the first act or the situation that they are in at that point. After this the story will take a turn in a new direction.

So far most of the cards have focussed on the main character and getting the story started. For me that’s often enough of a story seed for the ideas to start sprouting and rioting in my imagination. But the next four cards help suggest some structure for the second and third act of your story.

7  – The Protagonist card. So we saw the protagonist at the start of the story, where they were both internally and externally. They have followed the path that they were pushed down by the inciting incident to a first act climax. Until that point the protagonist has been controlled by events. Now, in the second act, the protagonist makes a decision on how to go forward. How the protagonist goes forward from this point is suggested by this card.

8 – The Antagonist card. What good would a story be without a villain? This card suggests the main antagonistic force that is preventing the main character from reaching their goal. The antagonist can be a person or a set of circumstances.

You’re reaching the end of your story. How do you want things to resolve in the third act?

9 – The Reversal card. In the Celtic Cross spread this card is listed as hopes, fears or the unexpected; in the Fictional Cross I go with that last meaning: the unexpected. Things can’t just wrap up neatly, there should be a twist in the tale. At the point where the protagonist thinks they have it all worked out and the ending is in sight, something pops up and sends the ending spinning.

10 – The Resolution card. H ow does it all end? When the dust settles, what is the situation that the protagonist finds themself in?

The diagram below shows how I relate this idea generation spread to the traditional three act structure of storytelling.

Give it a try. Let me know how it works out for you in the comments.


References:
Celtic Cross spread information from Seventy Eight Degrees of Wisdom by Rachel Pollack

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3 responses »

  1. Pingback: Using Tarot for Writing Inspiration [Resource Links] | Hunter is Writing

  2. Even though these posts are 5 years old I wanted to say thank you!
    I’m currently prepairing for NaNoWriMo and even though (I think) I know my characters and have a fairly good idea about the story I’m writing, I feel like these spreads are fantastic and will definitely try them out!
    I especially love the Significator card idea. I think I’ll sit down and pic one for all my important characters.
    Thank you! =)

  3. I drew a Wheel of Fortune as for antagonist, that can’t be good, going against Destiny and all that. And there is Six of Swords for resolution it can be either his utter fail or trying from start. I would stick to failure, it would make a nice tragic story. Of not being ready for grown-up life.

    Anyway thousands thanks for this post, you made my evening and much more to come! If I ever end up writing anything I am surely will linking this post.

    Though real fun will begin once my Tarot books arrive.

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